Showing posts with label women in the workplace. Show all posts
Showing posts with label women in the workplace. Show all posts

08 June 2013

What Nobody Planned



HARVARD UNIVERSITY
ROBINSON HALL
CAMBRIDGE 33, MASSACHUSETTS

GRADUATE SCHOOL OF DESIGN DEPARTMENT OF CITY AND REGIONAL PLANNING

June 21, 1961

Mrs. Alvin Richman
3055 16th Street, NW.
Washington 11, D. C.

Dear Mrs. Richman:

Although we have not yet received your official transcript from Brandeis, on the basis of your letters of recommendation there would seem to be a possibility of your admission to the Department of City and Regional Planning even at this date.

However -- to speak directly -- our experience, even with brilliant students, has been that married women find it difficult to carry out careers in planning, and hence tend to have some feeling of waste about the time and effort spent in professonal education. (This is, of course, true of almost all graduate professional studies.)

Therefore, for your own benefit, and to aid us in coming to a final decision, could you kindly write us a page or two at your earliest convenience indicating specifically how you might plan to combine a professional life in city planning with your responsibilities to your husband and a possible future family?

Sincerely yours,



William A. Doebele, Jr.
Assistant Professor 
 for the Department

*******************************************
 

"Mrs. Alvin" is, in fact, Phyllis.  She was the Washington Post's restaurant critic from 1976 until 2000.  

Ms. Richman also managed to write books about food--including "food mysteries" as well as numerous articles on other topics for other publications.  And, oh yeah, she raised three kids, who are successful professional who report fulfilling lives.

But, as you can see, that was not what she envisioned in 1961.  She wanted a career in urban planning. A few years later, she would follow her husband when he got a job teaching political science at Purdue University.  She thought about enrolling in that school's urban planning program, but it was part of the engineering schoolThus, the program emphasized things like land use and architecture. But Ms. Richman opted against it because she was more interested in people and the impact that urban planning has on our lives. 

She would, like many ambitious, intelligent women of her time, fashion a career around the "duties" to which Professor Doebele alluded in his letter.  

Fifty-two years after receiving that letter, she wrote back to Professor Doebele, who taught at Havard until 1997.  And he responded to her.  To be fair, he said he wouldn't write such a letter today, though he defended having written it.

I chose to write about Ms. Richman's story because, while interesting in its own right, it's also relevant now, as more states and countries are legalizing same-sex marriage and passing laws (or amending laws currently on the books) to ban discrimination based on gender identity, expression, history or appearance.  These things simply would not be happening were it not for the gains that women have made in the workplace, education and other areas of life.  While, as Professor Doebele says, things are "far from perfect," they are better.  And the fact that women are still fighting and making gains offers us lessons in the struggle for LGBT--and especially transgender--equality.

(You can see a copy of the original letter here.) 
  

26 September 2012

From Angel To Working Girl

Even if you're not my age, you've heard the song at least 500 times on the radio.  You might have even heard it that many times if you don't listen to the radio anymore.  So, you might be sick of it.  I'm not:  I guess if I'm not by now, I never will be.

I'm talking about Angel of the Morning, a megahit (and just about the only hit) for Merrillee Rush and The Turnabouts.  I've always liked her voice, which was classically trained, and the classical instrumentation.  If Sheryl Crow had been born about fifteen years earlier than she was, she might have been Merrilee, though I'm glad things didn't turn out that way!

You've also probably heard (or read) that some people regard Angel a kind of proto-feminist anthem.  It certainly is a song about a woman who can stand on her own two feet. ("I won't beg you to stay," she says to the guy with whom she has an apparent one-nighter.)  In that sense, it was certainly different from just about any other pop song of that time, and arguably more enlightened than much of what is being sung today.

I'm mentioning all of this because, for the first time in a long time, I listened to the eponymous album on which the song is found.  Some of the other songs are forgettable pop "filler", no better or worse than other things you've heard from that time.  But a couple of other songs are good, or at least interesting.

One of them is called Working Girl.  If you listen to it, remember that the album was released in 1968.  To my knowledge, nobody was using the term "sexual harassment."  But that's exactly what the song's lyrics describe.  ("Mr. Jones--is that a ring on your hand?  A new job?  No, I like it here.  Yes, I read your intentions clear.")  As with Angel, there is nothing else like it from that time, and hardly anything like it since.  

From what I've mentioned so far, it probably isn't surprising that Merrilee would have recorded such a song.  But, the song actually turns into the polar opposite of Angel.  The protagonist of the song doesn't stand up for herself (Then again, how could she have done so in 1968?); instead she wishes that some man would "find this working girl, and give her heart a home".  

What makes those lines all the more jarring is that on the album, only one other track separates Angel of the Morning from Working Girl.  The song in between, That Kind of Woman, is about a woman in an affair with a married man.  It's not bad, but it isn't as beautiful as Angel or as tense and lugubrious as Working.

After Angel, Merrilee Rush and the Turnabouts released, if I'm not mistaken, two more albums, neither of which had the impact of Angel. (How could they, really?)  Now she and her husband, singer/songwriter Billy Mac, live in a farmhouse her grandfather built in the countryside near Seattle, her birthplace.  There, they do a thriving business in raising English sheepdogs.