Showing posts with label Soho. Show all posts
Showing posts with label Soho. Show all posts

23 April 2010

Another Fine Spring Day

Just did some cleaning up and I'm feeling sleepy again.  And Charlie and Max are curled up by my sides.


I pedalled the Raleigh three-speed into Union Square and Soho today.  In the former neighborhood is my gastrointestinologist's office; in the latter, Bruce works and he and I had lunch.  From the doctor, I had to pick up a copy of a prescription  and instructions I lost.   With Bruce, I found that the take-out places had even longer wait times than some exclusive restaurants, and that almost every outdoor space in which one could conceivably sit and eat was occupied.  So we went into a rather cozy and cute Japanese restaurant with food that is definitely mediocre.   At least he seems to have gotten over the bout of the flu he had last week.


It really was a bright spring day.  Lots of people were out, walking, shopping and such.  And, it seemed that everywhere I turned, someone was looking at me as I pedalled my bike.  Both men and women smiled approvingly and, somewhere in Midtown, construction workers' heads followed my movement down the streets.  A woman who was working in an office next to the internist's said that I looked "very stylish and chic," like a woman cycling the streets of Paris or Milan.  I was wearing a long navy cardigan over a periwinkle-lavender scoop-neck top, a silky scarf in a print of blues and purples that draped down from either side of my neck to just above my navel, where I tied the two ends together.  And I wore a navy skirt with a leaf collage print in various shades of blue, from almost green to almost purple, that fell to just above my ankles when I stood up. Actually, I was feeling rather stylish, even if I have a bunch of weight to lose.  At least I'm starting to feel better on the bike.


I'd thought about doing the Five Boro Bike Tour as a "celebration" or "coming out" ride:  It would be my first long group (with a very big group) ride since my surgery.  But I've pretty much decided against it:  That ride is only two weeks away and, while I could probably do it (as it's a slow-paced ride with a lot of stops), I'm not so sure I'm ready to ride in a crowd.  Also, I don't want  to take any chances with my newborn organs.  They're probably ready for such a ride, but I don't want to take any risk, however slight, of injuring or damaging them.


There are other rides to come, and I'll be ready for them.

15 September 2009

Twenty-Five Years Ago in Soho

Today I had lunch with Bruce. He works in Soho and we went to a very Soho-like restaurant that featured high ceilings with lots of wood and brick. It's a bit like standing in one of those mirrors that makes you feel taller because it makes you look skinnier but is only about six inches wide.

It's a pleasant, if sometimes noisy atmosphere. And the food is also pleasant, or sometimes even better: a dozen or so varieties of Asian noodle soups. Bruce had an Indonesian curry; I indulged myself in a fragrant Vietnamese soup with beef and bean sprouts.

Afterward, we walked along Spring and Prince Streets to Broadway. Along the way, we passed a lot of trendy shops and recalled the days when they weren't. At the northwest corner of Spring and Broadway is a kind of sidewalk mural that looks a bit like something Keith Haring might have done had he picked up a chisel. According to Bruce, there is a series of such murals on various corners in the neighborhood that are aligned with each other. They were done by an artist that neither of us has seen in about twenty years.

That artist used to hang out with me, Bruce and a writer who used to work with me in the Poets In The Schools program when Bruce was the program manager. That was back in the days when one could run into a prostitute along one of those streets, as I sometimes did when I was going to leaving my job at American Youth Hostels when it was on Spring and Wooster Streets. Many of those stores were studios, some of which housed the artists themselves as well as their work, as well as galleries.

The writer who used to hang with us was ostensibly an art critic as well as a poet. I don't recall whether the guy who did the sidewalk murals had a day job. Anyway, we--sometimes all of us, other times some combination of two or three of us--would go to the exhibits and openings that lined those streets the way sales line them today. Our writer friend could get us into the more "exclusive" ones with his press credential: the one and only thing that made me believe he might actually be an art critic.

We would spend some time looking at the paintings or sculptures. Bruce, although not always as outgoing as I sometimes am, would get into a conversation with an artist or some other interesting person. Meantime, the writer and I would load ourselves up with wine and cheese, and then some more wine. Then, another glass of wine in hand, the writer would hit up on some woman who had absolutely no interest in him. I might spend more time looking at the paintings or sculptures, but I would definitely drink some more.

Then, we--or I alone--would go to Fannelli's, which was still something of an Italian-American working class bar that just happened to be frequented by some of the artists. Some of those artists had tabs (Remember those?) there.

After Bruce and I parted, I realized that those days were now a quarter-century past! In other words, we've all lived (assuming the artist and writer are still alive) another lifetime in addition to the one each of us had lived up to that point.

But I didn't find myself becoming, as Kurt Vonnegut would say, woozy with deja vu. It's hard to do that in Soho these days: So much has changed! But more important, there didn't seem any point to it.

That's not to say I wasn't remembering some of it warmly. Soho certainly had an interesting "vibe" in those days and you could actually do quite a bit on little or no money. And, in working at American Youth Hostels, I got discounts on equipment and airline tickets. So, even though I wasn't making much money, I managed to take a bike trip from Italy into France that September and another trip to California at Thanksgiving.

But today I was neither pining for those days nor trying to forget or disavow them. I am not proud of everyting I did: Even the trips I did were a form of running away from what I actually needed (and wanted) to do; I guess I don't have to say that all the drinking I did in those days was a form of escape as self-medication.

Yet I found myself, today, wanting to embrace, to hold, that person who did those things. No, I don't want to be him again. Rather, I found myself valuing him for the things I was able to learn from having lived his life. It made me into someone who would like to see that writer and the sidewalk-carver again, just to know that they're safe and well--and, hopefully,doing interesting, productive, creative and helpful things. And, of course, I came out of that life as Bruce's friend, and with Bruce as a friend. Both have left me a very privileged person.

Yes, I am happy to have had my operation. I'm even proud of it: For a change, I didn't back down from something I needed to do. But I realized today that I have even more pride in the person I'm becoming. And I feel even more privileged to be her, to be Justine, to be myself.

After all, I had to live, literally, another lifetime after those days as a young man who drank and let his friends chat up artists and chase women. And I've had to learn that to move forward in life, there is no choice but to love whomever you have been, or lived as, as well as those who were part of the life you lived.

And then, after all that, I went to work: I was talking about poetry with my students. I love poetry because it is, and my students because they have helped to define the person I am and am becoming. After all, I didn't have any --nor did I imagine I would ever have any--hope of becoming who I am in those long-ago days in Soho.

27 February 2009

Le Cafe Perdu

Today Bruce and I went to lunch at the Red Egg, a Chinese restaurant on a part of Centre Street that sits in a nether-world between Chinatown, Soho and the Lower East Side. It's hard to get any sit-down meal in Manhattan, much less one as good as we had, for seven dollars (before tax and tip).

Today I had Red Egg Curry Chicken. It was so good that I was scooping up and downing what remained of the sauce after I'd finished the chicken, asparagus and okra that made up the rest of the dish. And Bruce's General Tso's Chicken, which I sampled, was as good.

We've eaten there a couple of times before, and I'm sure we'll go back. The decor is a cross between a Soho bistro and a Chinese restaurant in Queens. That is to say, it's made up of sleek red and black lacquer and blondish wood.

A good sign is that the place was full, or close to it, each time we've gone. And, at least half of the customers were Chinese. Also, they set your table with chopsticks. I'm not sure that they have western-style utensils: I didn't see anyone using them.

After we finished, Bruce had to return to work. So, after we parted, I wandered across town on Spring Street to the Bowery, then up toward Cooper Square. The day was mild but overcast; everyone rightly believed that we would get the rain that was forecast for the early evening.

On a day like this, which feels like an early spring day except for a touch of damp chill, flesh and bright colors peeked out the way the sun does as it moves through layers of clouds. Near Bruce's office, in a building sandwiched between two boutiques, young women fluttered about in shorts with brightly-patterned tights or skirts over sheer hosiery. Some of the young men weren't wearing coats or jackets, or even sweaters, over their T-shirts. Back when I was young and full of testosterone (and alcohol), I would have done the same.

The styles may change, but they are re-enacting what seems to be a ritual I've seen for as long as I can remember. If we'd had a day like this a few weeks ago, it wouldn't have been seen as a prelude to spring: It would have been just an unusually warm day in winter. And so everyone would have been wearing coats and scarves and such.

Well, some people--young women, mostly--wore scarves, mainly as accessories. One in particular just oozed style with hers, in shades of champagne, lilac and dark pink. Its ends fluttered behind her as she pumped her Peugeot city bike--the kind they sell in France, not an export model--with fenders, a rack, generator light and all. She would have looked completely appropriate on the streets around Saint Germain des Pres or Montmartre.

She is me, in another life. If only...

Seeing her, and those downtown streets and buildings that criscross each other at mad angles, I started to get, as Kurt Vonnegut would say, woozy with deja vu. I recalled walking those same streets when they both more carefree and more dangerous than they are now. I knew of some of the dangers; others escaped--along with a lot of other things--my consciousness as I drank or intoxicated myself in some other way. I saw a place--Phebe's, still there--where I used to drink enough so that I didn't notice or care that the hamburger I ordered was burnt. It brought back images of other places, long gone, where the graffiti in the bathroom provided more debate on issues of the day, and larger questions, than just about any still-surviving magazine or other publication that has any sort of intellectual premise or pretense.

One place like that was Le Figaro cafe, which used to take up a corner of Bleecker and MacDougal Streets in the heart of the Village. Back before Starbuck's cafes started popping up like weeds after a rainstorm, Le Figaro was one of the few places where you could get something like a real espresso or cappucino rather than the burnt-coffee-bean-and-boiled-milk concoctions other places served. Back in those days, they served decent quiche Lorraine and some not-bad desserts. But those weren't the reasons to go there. Nor was the decor: If you can imagine an interrogation room from a '40's or '50's noir film wallpapered with copies of the eponymous French newspaper (ironically enough, one edited from a conservative, almost reactionary, point of view), you have a good idea of what the interior looked like.

From what I understand, Bob Dylan and his peers used to go there after playing at The Back Fence and other nearby dives. Of course, that gives it the same sort of cachet Dylan Thomas's patronage gives the White Horse Tavern. But the real reason you went to Le Figaro, or any of those old-time Village coffee places, was to watch people. So, it was always best (to me, anyway) to go on a day like this one, which would probably be the first of the season on which the sidewalk tables would be set up.

Today, a lot of those people I looked at back in the day are probably gone. As are one bartender and one waitress who used to work there. I had crushes on both of them that I probably wouldn't have had if I'd seen them in a New Jersey mall. A lot of other people probably did, too. That's how it was in those old Village (East or West) cafes and coffeehouses: They really didn't have a whole lot to recommend them except their locations, but somehow they transformed the people you met in them in much the same way that young people who just got off the bus from Iowa or Kansas or Oregon became bohemians when they opened up their suitcases or backpacks in that neighborhood.

Of course I would have liked to have been in one of those cafes as that young woman who rode her Peugeot today. However, neither she nor anyone else I saw today would, even if they could, choose to be a patron in one of those cafes I remember. Nor could I. As much as I feel I would have liked to experience those days and all of my past as Justine rather than as Nick, I know that if I had (if I could have), I may not be here today, little more than four months from my surgery.

I forget which feminist writer said that in the Sexual Revolution, women got screwed. And so it was back in those giddily serious days. Now I realize that the women, almost invariably young and fashionable in an arty kind of way, served as props for those guitar- and chess-playing young men of yore. Even fairly recently, cafes like le Figaro were mainly the provinces of straight people. They gays were on the western and eastern extremes of the neighborhood, and they had their own versions of the cafes, not to mention the bars.


Those cafes are gone, too, as are so many of the men who patronized them. Only the women--reincarnations of them, anyway--remain. Today Bruce had lunch with one who hadn't been thought of because she couldn't conceive herself in those days.