21 August 2009
Authoritarian Genital Fixation
20 August 2009
Recovery Without the Telly
For the past six weeks, I’ve been recovering from my surgery.
Of course, one of the reasons why my recovery is progressing quickly and smoothly is that the operation has, in the space of not much more than a generation, gone from being very risky to fairly routine. That is a result of science and technology: Marci and some of her peers have dramatically improved the techniques used to perform that particular surgery.
Improvements in her technique have also been made possible by the instruments used in the hospital, and in my particular operation: They bear little resemblance to the machines on Marcus Welby, M.D. and other medical dramas I saw when I was growing up.
That brings me to the one “miracle” of modern technology I haven’t had during my recovery: television.
No, I haven’t been whiling away my idle days on some uncharted isle (unless you’re such an Uptown Girl or Guy that you consider Long Island to be remote!). I have remained ensconced in my Big Apple abode, in the bustling borough of Queens. And, no, we haven’t had a power outage like the one that plagued some of my neighbors for more than a week three years ago.
I am without the “tube” by choice. When the government ordered that all viewers would have digital TV or no TV at all, I opted out. I know, I could have gotten, with a government-issued coupon, a converter box for less than a Southampton summer resident spends on a pair of flip-flops. Or, I could have subscribed to a cable or satellite service for not much more than that per month.
However, as the date for the change-over drew closer, I became more determined to try living without the “idiot box.” I made this decision knowing full well that I would soon undergo the surgery I have just experienced, and knowing how much time I would spend recovering from it.
At various times in my life, I have subscribed to cable or satellite services. The result was always the same: Out of the 500 (or however- many) channels, I could find three or four, maybe five, offering programming that interested me. And, after a few months, those channels would repeat the episodes or movies I’d seen during the previous months.
The sad part is that what I’ve described is a better state of affairs than what is to be found on “regular” network TV. However biased some of the films and programs I saw on cable or satellite TV were, at least some of them exhibited more understanding of economics, history or the cultures they were depicting than what one sees on Faux, I mean Fox, News or the news programs of ABC, NBC, CBS and, sometimes, PBS.
Plus, I’ve gotten to an age at which one doesn’t miss pretty faces nearly as much as one does in one’s youth. Sure, Chris Cuomo and Matt Lauer are cute, as are the escapees on Prison Break. However, the plots of the latter program actually seem less convoluted and more believable than much of what is uttered as “news” or even “commentary” on most programs with pretensions about informing and uplifting the public.
I figured that allowing my mind to fill with such stuff wouldn’t help my recovery any. My hypotheseis, it seems, is bearing out: Today I visited my doctor, who said that I’m “recovering remarkably well and quickly,” given the surgery I’ve had.
Perhaps my home’s new ambience has something to do with it, too. There’s a bit more clutter, as I haven’t been able to spend the energy to organize, and I can’t lift anything weighing more than ten pounds, at least for the time being. However, something else makes up for its lack of physical beauty: a calmness I never knew possible.
If you have ever gone deep into a wooded or other uninhabited area, you know how quiet (sometimes disquietingly so, for city gals like me!) it is at night. No city street is ever that placid or peaceful, even after the stores, offices and clubs have closed and people have gone to bed. The urban scene I’ve just described is the best comparison I can make to the way my house felt when I temporarily turned off the television. The natural setting I’ve depicted is how my home now feels, by comparison, now that I haven’t “tuned in” for two months.
My physical recovery, I believe, is not the only thing that has benefitted from this change in my environment. I feel now that I can more fully concentrate on what I read and write. (It will be interesting to see whether I continue that after I return to my regular job next week.) And, some friends have said that I seem “more present” and happier. I know the latter is true; I trust their judgment on the former.
On top of everything else, Charlie and Max seem to be purring louder and more deeply.
I don’t know whether I will never, ever watch television again, as I don’t predict the future. However, if the surgery I underwent and the subsequent care I have received will make living in my body more tenable, I feel that forsaking television just might be helping me to find the life of my mind and spirit to be more fulfilling. And, I suspect, it could make me less susceptible to micro- and macro- forms of groupthink—which, after all, is what helped to bring this economy and country into the mess it’s in, and ensured that too many people would go along with it.
Perhaps switching off is not the solution. But, for me, it seems not to have been a bad start.
19 August 2009
New Passport, New Journeys
18 August 2009
Doing Nothing Is Such Hard Work
17 August 2009
Seven Years: No Itch, Only Change
15 August 2009
Stories: The Assumption and Woodstock
14 August 2009
Cut Out The Chase
13 August 2009
I Don't Want To Recruit Them; I Just Want You To Love Me
11 August 2009
Hasn't Changed...
10 August 2009
I Just Had The Surgery. Why Am I Nervous About This?
09 August 2009
Which of These Things First?
I could have been a signpost, could have been a clock
As simple as a kettle, steady as a rock.
I could be
Here and now
I would be, I should be
But how?
I could have been
One of these things first
I could have been
One of these things first.
Of course, if I'm going to write about or from my experiences, and if I'm going to help people understand them, the fact that I had to have surgery to bring my body in accordance with my spiritual essence will always be known. Then again, these days, it's a lot harder to keep one's past secret than it once was. Gone are the days, described by people at least a few years older than me, when people could change their identities simply by moving to a place where nobody knew them. Today, the paper and computer trails are longer and more detailed. So, no matter how well I manage to avoid detection by strangers on the street, lots of people will know what I've done.
08 August 2009
More Changes Coming?
07 August 2009
After One Month: Today
06 August 2009
The Gender-Variant Breakfast Club
- ...and an athlete...Andrew Clark
- ...and a basket case...Allison Reynolds
- ...a princess...Claire Standish
- ...and a criminal...John Bender
Does that answer your question?... Sincerely yours, the Breakfast Club.
Call me a sucker, but just for that letter, I'm willing to forgive, if not overlook, the omissions and other deficiencies of Hughes' work.
So why am I thinking about that letter, or The Breakfast Club, now? Well, as simplistic as the plot and the expressed point of view of that movie are, that letter--and the way the actors portrayed their characters--shows at least an awareness of the blind spots not only of the characters, but of those who created, played and directed them. That, I think, is more than can be said of anything Woody Allen ever did. And it's certainly shows more awareness than most writers, directors and others involved in film and TV show when it comes to the way they portray people of color, not to mention transgender or other gender-variant people.
"Transgender," "transsexual," and "transvestite" are among those "simplest terms" to which Brian Johnson alludes in his letter. At least, they are in pretty much every film and TV program I've seen that has a gender-variant character or in which gender variance is a theme or sub-theme. And, because they are the "simplest terms," they can only convey "the most convenient definitions."
And that is why David Reuben's Everything You Always Wanted to Know About Sex But Were Afraid to Ask and Woody Allen's eponymous movie were so wildly popular. If I recall correctly, Dr. Reuben's book spent a year or so on the Times best-seller list and the film was Allen's most commercially successful up to that point. (I suspect that people who liked it probably weren't fans of Annie Hall, much less Interiors.)
It's been decades since I read Dr. Reuben's book or saw Woody Allen's movie. But, as I recall them, they both reinforced the ideas most people had about transgendered people: that they were guys in dresses who had sex with prepubescent kids. (How ironic was it that Woody Allen was engaged in, uh, extracurricular activities with his stepdaughter?)
As near as I can tell, part of being "in the closet" means accepting, and even reenforcing those stereotypes that are presented as verities and accepted as archetypes. By that definition, I reckon, most of us have been in the closet at some point or another. Although I lived in a working-class Brooklyn neighborhood until I was thirteen, I rarely, if ever, saw an African-American, Latino or Asian person. And, although I called other kids "queers," I had no idea of what that meant, much less that, according to some people (and the American Psychiatric Association), I am one. So I didn't realize, until much later, the degree to which people of those backgrounds were stereotyped in the TV shows and movies, not to mention the cartoons, I saw when I was growing up.
One of the first TV shows I recall that seemed to make any attempt to break away from the dominant characterisations of non-white as well as other "minority" people was All In The Family. But even in that program, as good as it was, black characters like Jefferson as well as members of other groups, the old and the infirm were used mainly as foils for Archie Bunker's hang-ups rather than developed as full-fledged human beings. In the end, those characters were still defined by their labels, just as Archie Bunker was as a bigot, albeit a lovable one.
The TV show I recall that featured a man who wore women's clothing on a regular basis was One Day at a Time. We watched that because, actually, it was pretty good and my brother had his first crush on Valerie Bertinelli. (He could have chosen worse.) Although people got used to the transvestite character, the show did not in any way challenge the ideas most people, including me, had at the time: that such men were gay and more than a little creepy because they wanted to be women because they didn't know how to be men. And, of course, the cross-dressing was always played for laughs.
I must say, though, that in making "comic relief" out of cross-dressing, One Day At A Time was probably no worse--mainly because it was no different--from other shows and movies that featured any form of gender variance. "Guy in women's clothes" became the convenient definition for the simplistic terms of "gay," "transsexual" (No-one, to my knowledge, was using "transgendered" then.) or "transvestite."
If I recall correctly, The Breakfast Club came out about a decade after One Day At A Time premiered, and One Day appeared about half a decade after All In The Family made its debut. And it has been about a quarter-century since BC first came to the silver screen. It's fair to ask just how far movies--or we--have come in understanding people who are too often circumscribed by those "simplest terms" and "most convenient definitions." Even Trans-America, at times, falls prey to that sort of thinking, which is the reason why that what most people remember about it is "that Desperate Housewife playing a guy who becomes a girl."
In a way, I feel sorry for John Hughes. People always seem to have thought of him as a "teen" film director, and the vogue for that type of film seems to have died somewhere around 1992. What if he had found a new subject? Could he have made films that took up the challenge Brian Johnson posed to his principal?